I wouldn’t call this experimental, but could do so, for its sake, only because it found itself being injected into a pop album. It was made by a single tracked guitar and an array of effects, with ample open-mindedness. The resultant tone resembled a didgeridoo signalling a beginning, later transforming into sounds resembling a symphonic orchestra. The process of creating this was sort of symbolic. It effectively destroyed the source sounds, and somehow created a sense of grandiose out of that destruction. A second prelude to your living, after all the confusion? Well, how should you know?
9th June 2017